Chiński teatr duchów

Marta Steiner

doi:10.35757/KiS.2007.51.4.8

Tom 51 Nr 4 (2007): Okiem antropologa

Artykuły i rozprawy

Chiński teatr duchów

Marta Steiner⁺⁻

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DOI: https://doi.org/10.35757/KiS.2007.51.4.8
Przesłane: 2 sierpnia 2023
Opublikowane: 19 grudnia 2007

Abstrakt

Around five millennia ago the Chinese developed spectacular rituals concerning afterlife beliefs. Funerals could always been perceived as theatre-like cultural performances. The ancestor cult is a base for Chinese morality. Theatrical performances are one of the means of ghosts worship. Until recently the performance of mourning could have been considered a social spectacle.
The classical music theatre of China (xiqu) constitutes a vivid illustration of beliefs in constant commune with souls of the dead. Traditional dramatic literature provides many examples of female-ghost characters. They are usually protagonists, who put a moral thesis forward and convey the educational message of the theatre piece. Actors’ make-up as well as theatre puppets have presumably funeral origins. Afterlife beliefs could be regarded as one of the sources of Chinese theatre.

Bibliografia

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