Patchwork Gothic in Polish Vampire Films

Magdalena Grabias

doi:10.35757/KiS.2024.68.3.6

Tom 68 Nr 3 (2024)

Artykuły i rozprawy

Patchwork Gothic in Polish Vampire Films

Magdalena Grabias⁺⁻

PDF (English)

DOI: https://doi.org/10.35757/KiS.2024.68.3.6
Przesłane: 1 maja 2024
Opublikowane: 19 września 2024

Abstrakt

The article explores the emergence of Gothic elements in Polish cinema, specifically in the realm of vampire films. Despite the Polish literary market being saturated with horror, Polish cinema has conspicuously shied away from the genre for decades. However, the popularity of Hollywood Gothic cinema has influenced the once-hermetic Polish film industry, leading to the inclusion of classic Gothic themes, characters, and visuals in Polish vampire films. The article delves into the history of Polish horror cinema, and its relation to Hollywood Gothic cinema, whilst focusing on the vampire aspect of horror. In addition, it highlights the concept of “patchwork Gothic”, which involves blending elements of western and Slavic cultures, aesthetics and characters. By analysing two Polish vampire films, I Like Bats (1985) and The Lullaby (2010), in reference to the notion of patchwork Gothic, the author argues that the combination of disparate cultural influences creates a unique and dynamic interpretation of the Gothic genre in Polish cinema.

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